Thursday, March 19, 2026

Bye-bye Cherry Pie



With cheerful satisfaction I can put down my digital pen and step away.

Since my last post, I’ve wrapped up:

* Rogue Kitty.

* Cherry Pie.

* Fables 2 and Fables 3 Collections (paperbacks).

With those all published, I’ll be cheerfully stepping away from Undelund Tales to take a break. I began these stories with a view to continuing only if I was enjoying the process and would stop if I felt close to burn out.

My most recent story, Cherry Pie, has shifted my outlook on life further than I expected it to and in ways I won’t divulge here.

What I will say is, it feels to me that writing stories wasn't to effect any meaningful change on the exterior world or those in it, but instead to effect a meaningful change within me... and it’s certainly achieved that.

A different creative direction

Once I’ve recharged my creative batteries throughout the summer and autumn, I’ll continue storytelling but will not necessarily be taking the same direction I have been, because I'd like to try my hand at screenplays.

As far as Undelund Tales goes, new (and some existing) stories will be adopted as screenplays allowing characters, places, and creatures I’ve created, to live on through those rather than through the short-story/novella format.

Will anything come of writing screenplays? I’ve no idea, it largely depends on whether I can become good enough at writing them; but regardless, it grants me an opportunity to explore other genres and storytelling formats.

Never say never

My shift towards a different format doesn't mean I'll never write another Undelund Tale in the short-story/novella format (I've at least another 25 tales yet to be told); however, whether I publish more depends on how much time I can dedicate to the craft.

If Cherry Pie is to be my last tale for this project, it's a story I'm happy to end with.

All the best.

Tim H.

Monday, February 2, 2026

Without prejudice...

 
This ramble isn't about books or writing specifically, but about whether reviews of creative works are useful considering they refer to matters of taste.

Based on a recent experience, I'm focussing on movies as the creative work being reviewed, but this example can be applied to music, illustration, arts and crafts, TV shows, books, stories, and as I'll show later... strawberries.

A guest in the storyteller's world


Recently, I stumbled across a film titled: The Monster...


Link opens in a new tab/window:

I enjoyed the film and was especially impressed by actress Ella Ballentine and her portrayal of the character Lizzy.

It was the first film I had seen Ella perform in and became curious to see if she had performed in anything else.

Roughly two weeks later, I watched another film starring Ella titled: Rise and Shine, Benedict Stone...


Link opens in a new tab/window:

Clearly this production is very different from The Monster and romantic comedies are not my first choice of genre; but once again, I really enjoyed the film.

As much as is possible in this day and age, I’ll watch films, read books, listen to music etc. *without* having read any reviews or watched trailers. I prefer approaching any works of art (or anything that is a matter of taste) without prejudice.

When stories of any kind are involved, I prefer allowing the storyteller space to tell their story without carrying any preconceived ideas on what I think should or should not happen.

I prefer to let the storyteller tell the story without ‘me’ getting in the way.

I view myself as a guest being invited by the artist to join them in their world.

Opinionated Giraffes


Nowadays, for the most part, the vast majority of people are online and a vocal minority feel they *must* voice their opinion on anything and everything. They, their grandmother, and their grandmother’s pet giraffe all spout their opinion; worse still, with some of these people, if you don’t agree with their view, you're wrong.

If you don’t enjoy what they like, or if you dare to enjoy what they hate… in their minds you are part of what's wrong with the world.

There’s no room in their minds for an alternative opinion or differing tastes, and some 'reviewers' feel entitled to attack anyone holding a different view, or trashing those who created the work.

Are people entitled to an opinion? Absolutely.

Are people entitled to disguise their 'opinion' as abuse? I'd say no.

As an example, here’s one of the most unhinged 'reviews' of the movie I mentioned earlier: Rise and Shine, Benedict Stone.


Link opens in a new tab/window:

The first and last lines are very telling.

In my opinion, that is not a review and more of an attack on a young actress who did her best with the part and, in my opinion, conveyed the character Gemma Stone in a playful, quirky, and charming way.

Not only does the ‘ranting reviewer’ not accept fictious characters may behave differently to them (the reviewer), the attack on Ella Ballentine appears entirely spiteful.

Setting aside that specific movie, that type of attack (disguised as a review) is unnecessary; it comes across as cowardly and vindictive.

In the reviewer's own words (regarding the young actress):

"Sorry, I got that wrong, she's not a child, more a 40 year old with frown lines with the body of a teenager."

Really?

Would the ‘reviewer’ dare make those same comments to the actress in person? I'd venture not.

I'd also venture the energy the 'reviewer' is giving off is that of a bully.

It's also sad to see (at the time of writing) more people had upvoted that 'opinion' than those who downvoted it; but the rising toxicity of online comments/reviews is another subject altogether.

If I like strawberries, will you?


The 'angry reviewer' marked the film 2 out of 10; seemingly based solely on the film's characters not behaving how the 'reviewer' thought they should and the reviewer's baseless attack on a young actress.

Another reviewer enjoyed the movie and and it gave 8 out of 10.

On the basis of those two reviews alone, the average rating for the movie is now 5 out of 10.

There are lots of reviews leaning both ways, but how would any of these help someone who hasn't seen the movie?

For a moment, let's switch from movies to strawberries (quite a jump I know, but please bear with me)...

Let's take a fictious person, Robyn, who has never tasted strawberries. Robyn finds a 'food review' website and half the people reviewing strawberries state:

"Oh, I love strawberries, they are delicious!" 

…but the other half of the reviewers state something along the lines of:

"Ugh! I hate strawberries, no one should like them, they are disgusting, the colour red is awful, and if you do like them then you must own a strawberry farm and... blah blah blah..."

Despite the conflicting opinions, Robyn still doesn't know what a strawberry tastes like, and even if 9 out of 10 people declare they are delicious... until Robyn tries one herself, she won't know if she likes them... thus, all the opinions haven't changed anything.

Robyn has a head full of other peoples' opinions regarding what strawberries taste like, but no direct experience of tasting them herself.

Personally, I love strawberries, but there's no guarantee you will like them, and if you don't, I'd be more than happy to help you find something you do like.

This is why I feel reviews on artistic endeavours are not particularly useful because art in any form (like fruit) is a matter of taste. Personally, I prefer the element of surprise and approach art (and fruit) without prejudice.

Additionally, ad hominem attacks in reviews or elsewhere are never justifiable, especially on an artist performing a role--let's call that what it is: bullying.

Back to the element of surprise...

Finding fun in the unknown


I grew up in the pre-internet era (I'm Gen X), and I remember as a teenager I’d take the bus, walk, or ride my bike (a metallic blue Raleigh Grifter) to a local video rental store and browse whatever films were on the shelves and oftentimes without any indication of whether they’d be any good or not… and that was part of the fun.

All I had to go on was the cover and the blurb on the back; and the only thing I could be certain of, is that I'd enjoy the popcorn.

When I got home to watch the film; one of three things would happen:

I'd like it, I'd feel indifferent, or I'd not like it.

Whichever way it went there was always the excitement of discovery. If I found a gem of a movie, it was a thrill, and if I didn’t enjoy it—better luck next time; at least I still got to eat the popcorn!

If I didn't like a particular rental, I wouldn't scribble obscenities on the cover to warn other people not to watch it, I wouldn't abuse the cast, and wouldn't do those under some delusion I was doing the world a favour.

Back then, the approach was very much when you rented a film you've not seen before: you'll like some but not others.

I follow the same process for TV shows, books, music albums, and so on.

The joy of discovery


When I like something, I consider myself lucky and I’m happy, because I’ve found a ‘thing’ I enjoy and can enjoy again in the future.

When I don’t like something but someone else does, I’m happy for them because they’ve found a ‘thing’ they enjoy.

Life’s very enjoyable when taking that approach.

Circling back to when I stumbled across The Monster; I had discovered a film I enjoyed and also discovered the works of an actress I hadn't seen before which opened up a fresh set of films to watch and enjoy. To date, I've watched nine so far, enjoyed them all, and all that joy was unlocked without reading a single review regarding any of them...


Closing ramble


With regards to reviews on creative works, there is also the murky world of fake and 'paid for' reviews, bots, or orchestrated attacks which are fuelled by various motivations and further muddy the water; however, those are a gloomy rabbit holes in themselves.

The point being when reviews have unknown sources or sometimes fuelled questionable motives behind them, how useful are they?

Reviews are certainly useful when it comes to objects, like a brand of vacuum cleaner, but have questionable use when it comes to subjective matters.

Anyway, that’s my opinion on why I feel 'reviews' aren't particularly relevant when it comes to matters of taste, but they certainly appear more toxic when people hijack them to abuse others or skew perceptions.

In case you’re wondering, as per the hate-filled reviewer's baseless claims, despite singing her praises, I’m not related to Ella Ballentine. If I was or knew her in person, I'd confidently suggest to Ella she's accomplished more in her young life than 'angry reviewers' ever will.

Until next time...

Tim H.

Sunday, January 25, 2026

Story Teasers

 

Eagled-eyed visitors to the Undelund Tales website may have already spotted the ‘Story Teasers’ section where each day a crop of short videos (hosted on YouTube to reduce latency) give insight into some of the characters featured in various tales.

The 'Story Teasers' replace the 'Voices of Undelund' section that once populated the homepage for roughly six months last year. The old "Voices" graphics were silent and static, and looked like this:



A video 'teaser' of Cora Winstanley from the story Bristlewurm, is as follows:



There are 93 videos being deployed over the coming weeks and six are displayed each day throughout any given month.

Tales with teasers include:


These videos have been great fun to create allowing me to visualise and ‘hear’ the character’s voice in preparation for writing more stories.

I may incorporate additional characters and stories in the future; however, writing more stories is my priority. Whilst on the subject of writing, I'm putting the finishing touches to Don't Feed The Ferrets, Rogue Kitty, and advancing the draft of Cherry Pie.

Although it should be self-evident; the characters, places, people, magic, and monsters portrayed in the videos are entirely fictitious...

The teasers will be visible on the website until the end of August 2026.

Wednesday, January 14, 2026

My Story Cup Overfloweth...

Currently, I’ve 26 solid story ideas in the writing pipeline and sometimes one of the hardest tasks is choosing which story to write next. Some stories are more straightforward than others; however, the ultimate plan is to write all the tales in the pipeline regardless of their complexity.

Some ideas develop slowly, in isolation, or, as an off shoot from other stories, but some concepts land out of the blue, a case in point is the story Cherry Pie, a heart-warming tale, which is scheduled for release in late spring.

The idea manifested in my mind roughly a week ago when I woke at around 2 AM, and from ‘somewhere’ the details crystalised as I made notes on my phone; sleep had to wait as the idea poured in from some ‘other’ dimension.

Cherry Pie involves a character I’ve already written about, Myrsa Summersby, who is the main protagonist in: A Girl Named Latchford. The tale itself is very straightforward to write and so it’ll be the final piece of fiction I compose before I take a hiatus from publishing during summer and autumn this year.

The point I’m getting at (albeit in a long-winded manner) is that my creative process doesn’t necessarily involve sitting in a locked room with a blank piece of paper and not leaving until an idea forms; in my experience, creative ideas often spawn randomly ‘out of the ether’.

My own (completely unsubstantiated) theory is that maintaining an open mind without exerting pressure on oneself allows ‘raw’ ideas to ‘arrive’ in the mind without effort. Some ideas will at first appear weak or incomplete while others appear strong—and it’s up to us storytellers to then exert effort to develop the idea further.

Roughly 48-hours after Cherry Pie entered my mind, another idea landed (also arriving during the twilight hours) with the working title ‘Lucid Blues’ and involves mushrooms; now my pipeline is 27 stories long.

Although getting a good night’s sleep is always enjoyable, I’m eternally grateful when these ideas keep me awake at night; in my opinion it’s better to have an overflowing cup than an empty one.

Sunday, December 21, 2025

Ding Dong! Merrily on high...

December has been a busy month, especially for releasing paperbacks. There were three published in as many weeks, with these being:

- The Duskwood Ribticklers (single book).

- The Mayflower Collection (three stories).

- Besties Collection (three stories).

Creating a ‘collection’ is a laborious process; however, it’s one I’m keen on continuing because it gives readers better value (over purchasing single books) and full physical ownership of the stories.

The screenshot below displays the individual files created for ‘Besties – Collection 1’:



These files are then merged into a complete book. Once collated into a single PDF document, these are proofread and checked to ensure the margins and page numbering is correct before being submitted.

The Duskwood Ribticklers is likely the final single book I’ll format and publish due to the increased printing costs Amazon charge for these to be worthwhile to either reader or author. Instead, stories will be available as eBooks or grouped in paperback collections in one or more of the following categories:

- Theme-based (as per the Beasties and Besties collections).

- Character-based (as per Mayflower – Collection 1).

- Assortments (as per Fables - Collection 1).

It’s worth nothing a story can be a member of more than one category; the key for me is providing readers with a meaningful choice of options.

Early in 2026 I’ll be completing the stories Rogue Kitty and Don’t Feed the Ferrets before bringing together the paperback Fables Collection 2. Once these are published, I’m planning a break from publishing (but not story-writing or world-building).

Pausing the publishing side of things allows me more time to develop the stories I have planned without being under a shadow of an arbitrary deadline. Clearly, this means I’m not entirely sure how many stories will be released in 2026; however, I will be writing a fresh bunch.

That’s all for this year and if anyone does read this blog who also celebrates Christmas, then I’ll wish you a very merry one.

Courtesy of King's College Choir in London...

 


 

 

Saturday, November 29, 2025

Bean-Grinding Adventures

My most recent story, The Duskwood Ribticklers, has been the most complex I’ve written so far. The first draft dates to January this year, and the manuscript has endured many tweaks until its publication ten months later. Even the cover took many major revisions before I was happy with it... the selected cover was version number 11.

The Duskwood Ribticklers’ complexity is due to threads linking out to other titles, including these currently available stories: Tingle Toes, The Bushgreave, The Oakmere Grynfang, Bristlewurm, and Meet Chompy.

Links to future stories include: Trembleknees, Don’t Feed the Ferrets, Rogue Kitty, and Night Strife.

Some links will be clear and obvious, others a little abstract; however, it was important for me to ensure consistency in timelines and locations before committing the final manuscript of the first edition.


The Duskwood Ribtickers centres around friendship and explores the sensitive subject of abuse and how it can manifest different symptoms within victims.

This tale is available in both e-reader and print format and will be included in the upcoming paperback ‘Mayflower - Collection One’, which includes the first three Elise Mayflower stories: Tingle Toes, The Bushgreave, and The Duskwood Ribticklers.


Elise Mayflower now gets a well-deserved rest after her three ‘bean-grinding’ adventures… but my own rest doesn’t start until next spring because I’ve two more stories to complete during the winter, and these are: Rogue Kitty and Don’t Feed the Ferrets.

Sunday, October 26, 2025

New Kitty on the Block

It feels like eternity (all of two months) since my last post, and as there's far too much to cover in terms of what I've been working on, I thought I'd focus on one story inception that occurred shortly after my previous blog post.


That story inception is: Rogue Kitty.


Initially, Rogue Kitty was going to be a short story featuring Elise Mayflower (Tingle Toes and The Bushgreave) as the protagonist; however, when the story was being developed there was a greater opportunity for 'Rogue Kitty' to be a separate character and story path.


Long story short, Kitty Bakewell is now the protagonist and is set to fight tyrants with her accomplices. The first three stories planned are:








Elise Mayflower hasn't been neglected though as she's one of my favourite characters (are storytellers allowed favourites?). The Bushgreave was published at the end of September, and The Duskwood Ribticklers is due for publication next month.


With Rogue Kitty's arrival, some other stories I had planned have been pushed farther into the future, and the writing schedule has been jiggled around a bit to accommodate them.


Two months feels far too long to leave between posts, and so I'll add my next much sooner.

Bye-bye Cherry Pie

With cheerful satisfaction I can put down my digital pen and step away. Since my last post, I’ve wrapped up: * Rogue Kitty. * Cherry P...